Online Gallery Promises a Kultural Revolution!
KounterKulture, the brains behind Newcastle-based gallery Opus Art, promises to revolutionise the art market by giving art lovers an unparalleled level of access to contemporary artists, their work, and a location for collectors to trade their pieces commission free.
Never been done before, KounterKulture will enable collectors and art lovers to watch artists creating new works live on the Internet, while at the same time interact with them in various dynamic ways. Collectors are able, as never before, to communicate with an artist through various stages in the production of an artwork, starting with an idea from its inception, following through to gaining insight into inspiration and method, to finally the completion of a unique work. This offers viewers all the benefits of a gallery setting while completely overcoming the geographical limitations of conventional galleries.
KounterKulture’s unique new collector’s forum allows collectors to communicate with one another, access unbiased art market research, analysis and advice from ArtTactic, and privately trade pieces from their own collections. This last aspect will allow collectors to completely avoid the added expense of gallery commissions, which usually swallow up a large chunk of the sale price.
Collector Paul Hammond after previewing the site had this to say, “I am completely blown away by what KounterKulture is offering: a commission free zone; ArtTactic analysis of the latest auctions and buying trends; a chance to see works as they are made; first pick of art work, it’s unbelievable.”
Art lovers and collectors are not the only ones who will benefit from this new undertaking as artists are said to also have incredible new advantages. Because KounterKulture features a much smaller number of artists than traditional galleries and commercial websites, each individual has a significantly greater, more exclusive presence, allowing them the opportunity to build more in-depth relationships with collectors, communicating their own unique approach more effectively.
Hush, one of the artists launching with the site, believes, “this is an incredible experience. It’s like having an invisible documentary film crew following me as I do my work. No more trips to the galleries, the galleries have come to me.”
Chris Kettle another artist involved said, “Its amazing being able to communicate and receive feedback from my audience. This has allowed me to take my work in directions that I hadn’t been able to in the past.”
kounterkulture.org is now available for browsing and is launching with an exceptionally diverse group of emerging artists, including the award-winning Royal College of Art graduate Hector de Gregorio, New York based Crash, who is collected by the likes of Eric Clapton and John Mayer, and Becks Canvas Award winner Charlotte Bracegirdle. Other artists exhibiting with Kounter Kulture are Chris Acheson, Carolina Ambida, Charlotte Bracegirdle, Teresa Duck, HUSH, Chris Kettle, Josie McCoy, Lex Thomas and Karl de Vroomen.
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25 February '10
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It is not easy to make a living as an artist. Even as the market for contemporary art has expanded in the past 50 years then lately contracted, only to begin expanding again, a mere handful of artists have made considerably amounts of money during their lifetimes. But those who have succeeded have done quite well indeed.
24 February '10
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24 February '10
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Wangechi Mutu, a multimedia artist best known for her fantastical, politically and socially engaged collages addressing the African diaspora, has been named winner of Deutsche Bank's first "Artist of the Year" award. As part of the honor, the 37-year-old artist will receive a survey of her work opening this April at the Deutsche Guggenheim, which is run in partnership with the bank. A collection of her works on paper will be acquired for the Deutsche Bank Collection and dispersed among its various offices.
24 February '10
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24 February '10
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Marianne Boesky Gallery, New York, will hold an exhibition of new work by Dutch artist Jacco Olivier. This is the artist's third solo show at the gallery.
24 February '10
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Radical, imaginative and avant garde, Henry Moore (1898-1986) was one of Britain’s top artists. A major exhibition at Tate Britain will be put together by ‘Henry Moore’, an organization between Tate Britain and the Art Gallery of Ontario, Toronto. Henry Moore hopes the exhibition will re-assert his position at the forefront of progressive twentieth-century sculpture, bringing together the most comprehensive selection of his works for a generation. Henry Moore will present over 150 works which include stone sculptures, wood carvings, bronzes and drawings.
24 February '10
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Staff at Witte de With, Center for Contemporary Art, Rotterdam, are baffled by the mystery that unfolded yesterday, when an artwork measuring 30 x 11m disappeared from its façade.
20 February '10
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František Kupka took painting to its vital elements: the plane, line and dot. During his career he developed a highly distinctive and exceptional style that still defies any attempt to classify it due to its focus on science, philosophy and mysticism. In addition, Kupka’s work suggests new approaches to interpreting the birth and evolution of modern art.
17 February '10
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17 February '10
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17 February '10
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Nevermore, which is on display at The Courtauld Gallery London, was chosen by artist and broadcaster Matthew Collings, and was selected from a list of five works chosen by well known public figures.
17 February '10
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16 February '10
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16 February '10
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16 February '10
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Zurich's Kunsthaus museum will offer the first public glimpse of a Swiss art collection that has been under lock and key since thieves stole its most-prized painting in a $160 million heist two years ago.
16 February '10
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Banksy, the secretive British artist whose work has appeared on city streets around the world, said on Sunday he hoped his documentary film "Exit Through The Gift Shop" will raise the standing of urban art
16 February '10
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Between 1618 and 1621, two supposedly identical works entitled St Jerome with an Angel were produced in Van Dyck’s Antwerp studio; one painting now belongs to the Nationalmuseum in Stockholm and the other is on long-term loan to the Museum Boijmans Van Beuningen in Rotterdam. Now after almost 40 years of debate, new research has finally answered the question as to which came first.
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