Rather than resembling fluidity, this painting has a more solid appearance. The patterns created are reminiscent in places of fabric folds or even sand. These traits do not seem to appear frequently in Kotaka's other works. Tones of blue and grey conicide with each other while attention draws to eye catching red seen centre.
The Suminagashi works by Japanese artist Ryosaku Kotaka combine ancient Chinese and Japanese painting philosophy with imaginative contemporary. Suminagashi, (pronounced, ‘sue-me-NAH-gah-she’) is the name given to the ancient Japanese technique of decorating paper with ink.
Suminagashi is a technique which was practiced in Japan as early as the 12th century and literally translated means ‘ink-floating,’. The process is as follows: ink is carefully dropped on to still water and blown across the surface to create delicate patterns. Once finished, paper is lowered onto the water’s surface and absorbs the ink.
Kotaka produces his work upon ‘Washi’ (Japanese paper) made by himself. By beginning with collecting Kozo, (Mulberry wood), stripping and draining its fibers, to drying and pressing them, he produces a thin tissue paper able to accurately absorb ink from the water’s surface .
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